A MASTERCLASS WITH STALWARTS- Decoding theatre with Naseeruddin and Paresh
ACTING IS A MUTUAL PRETENCE: PARESH RAWAL
Speaking about his approach to acting, Paresh Rawal said he believes in allowing performances to flow naturally. “I absorb and assimilate what I can. At the same time, I ensure that overthinking does not take over my performances. My acting should be easygoing,” he said. Describing acting as a mutual pretence between performers and audiences, Rawal added,
“If you slit someone’s throat with a sword on stage, the audience is not going to go to the police station and file a complaint. They know you are pretending, and they pretend to believe it.”
IF THE WRITING IS GOOD, HALF THE ACTOR’S WORK IS ALREADY DONE: NASEERUDDIN SHAHAs the conversation unfolded, Rawal asked Shah whether he preferred to make an emotional or cerebral impact on audiences. “Of course, cerebral,” Shah replied, adding,
“It is easy to make people cry with fake tears. But if audiences understand humans better after watching a performance, that’s more meaningful than somebody coming backstage crying and hugging me.”
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