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‘Paheli’, ‘Mohenjo Daro’, ‘Karan Arjun’: Bollywood’s boldest takes on myth, folklore, and fantasy worlds

TOI Entertainment Desk
| ETimes.in | Last updated on - Dec 12, 2025, 08:00 IST
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1/5

‘Paheli’

‘Paheli’ (2005) adapts a Rajasthani folktale into a lyrical, visually rich love story infused with supernatural elements. The plot centres on a spirit who becomes enamoured with a newly married woman, challenging traditional expectations of loyalty and desire. The film explores longing, choice, and autonomy through a myth-inspired lens. Its desert backdrop enhances the dreamlike quality of the narrative.

2/5

‘Mohenjo Daro’

‘Mohenjo Daro’ (2016) sets its sweeping adventure against the backdrop of the Indus Valley civilisation while subtly invoking mythic undertones. The film follows a simple farmer drawn into a larger destiny marked by visions, rituals, and heroic calling. It blends historical reconstruction with fantastical elements to create a world that feels both ancient and imaginative. The dramatic visuals reinforce themes of bravery, love, and fate.

3/5

‘Karan Arjun’

‘Karan Arjun’ (1995) reimagines reincarnation as the foundation of a gripping revenge tale. The story revolves around two brothers who are murdered and later reborn to right the wrongs done to their family. Echoing timeless concepts of karma and destiny, the film combines mythic symbolism with mainstream action drama. Its rural setting and emotional core make the fantastical premise feel deeply rooted.

4/5

‘Brahmāstra: Part One – Shiva’

‘Brahmāstra: Part One – Shiva’ (2022) presents an ambitious attempt to blend Hindu mythology with a contemporary superhero universe. The story draws inspiration from ancient astras, imagining their power in a modern world shaped by destiny and cosmic forces. Through elaborate visual effects and mystical lore, the film redefines age-old ideas of protection and energy. At its heart, it also weaves a love story that anchors the grand fantasy.

5/5

‘OMG: Oh My God!’

‘OMG: Oh My God!’ (2012) brings mythological notions into a sharp, witty courtroom conflict. The plot follows a man who decides to take legal action against God after losing his shop in a calamity. Through satire and clever writing, the film challenges rigid interpretations of religion and faith. Its portrayal of Lord Krishna as a charming, everyday guide adds both humour and warmth to the narrative.

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